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Old 26-06-2009, 09:54 AM
Persephone's Avatar
Lady In-Waiting
 
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Congrats on the '55' win, Em! Nice going! Well deserved... - Vorcla For doing an excellent job under less than ideal circumstances... - Dylan Vorcla Thanks for the reviews beb! Yes its a lipstick, finally I can give this 2 someone who will appreciate it! Yay! - Dark-huntress Thanks, Persephone! - Kalinda Hey, Em - how the heck are you? - Vorcla 
Pomegranate

Synopsis: the story of Persephone





Afar away the light that brings cold cheer
Unto this wall, - one instant and no more
Admitted at my distant palace-door
Afar the flowers of Enna from this drear
Dire fruit, which, tasted once, must thrall me here.
Afar those skies from this Tartarean grey
That chills me: and afar how far away,
The nights that shall become the days that were.
Afar from mine own self I seem, and wing
Strange ways in thought, and listenfor a sign:
And still some heart unto some soul doth pine,
O, Whose sounds mine inner sense in fain to bring,
Continually together murmuring) —
'Woe me for thee, unhappy Proserpine'.
— D. G. Rossetti
Then, I was simply Kore(1), the maiden.

I lived with my mother, Demeter. My father—I assume—was Zeus. I say ‘was’ because I have no relationship with him. I have many half-brothers and half-sisters and can’t solely blame my mother for Zeus’s deviancy.

Demeter is the Goddess of fertility and harvest, but in spite of her powers to repopulate, I was her one and only. She held me close, like one of her cherished flowers, and sang to me to make me grow strong. Our relationship was quite unlike most immortal families. Most of the gods and goddesses treated their offspring and parents the way wild animals would; worse, most likely. We had a much closer association. We lived together quite removed from the others; their tribulations and misadventures disconnected from our own calm lifestyle.

I loved my mother’s creations and was enamored with their beauty. She would make fields of flowers for me and I would lie in their silky petals, blow pollen to the bees and whisper to each individual stem: “flower…flower…” My hair would tangle in their leaves, and when the sun beamed down you couldn’t tell where they began and I ended.

We were happy. My mother’s love made me love her, and my attention made her love me; we were each other’s delight. But even as I knew I was Demeter’s joy, I knew I could also be the reason for my mother’s sorrow. Me, being her only daughter, if I were to leave—if I were to get hurt.

So I stayed young and happy, carefree and reliant. I never wandered too far, I never disobeyed; I never gave anything a chance to worry her.

I was constantly surrounded by admirers. Wood nymphs who would lead me into the forest and feed me ripe fruits; teach me the silent and strong strut of the pine tree; tragic and frantic careens of Daphne and the laurel trees(2); twisted frenzied romps of the olive trees; the romantic dance of the pomegranate tree. Mermaids would call to me from the river, their tails flashing against the reflected sunlight as they sang to me and caressed my hands with their long fingers, kissing my palms. Fellow flower maidens would laugh and giggle. We’d take naps in beds of orchids, and they’d braid daffodils and hyacinths into my hair.

My mother was clever; they would guard me with their jewel-toned eyes, and whisper my doings from mouth to ear. Demeter wasn’t trying to be unkind. She gave me friends and gifts and love, but I was always to be watched, like a prized possession too delicate to handle.

But it’s a long life, being the same, even being happy. I struggled with the ordinary—ha! an ordinary that would turn any mortal head— grinned even as my jaw began to ache, my chest hurt from forced laughter.

In the hot, steamy summer nights, I would lie in musty grasses between sleep and wakefulness, breathing in the starlight and dreaming of being anywhere else. In the day I would gather flowers in the farthest fields, plucking them one at a time in a straight line away from the others, walking farther and farther until someone grinned and called me back. I would tie my skirts up high on my legs and wade into the river to rescue ducklings from rocks and fast currents—swimming to the deepest blues and thinking of going under, but knowing my mother’s mermaids would pull me back. During games and play, I’d climb the tallest trees and sit on the highest branch. I’d inhale the wind, wondering where it’s been and what it’s done, hoping to sprout giant feathered wings and follow it away. But always pulled back down to earth by wood nymphs' hands laced around my calves to make sure I wouldn’t fall.

Sometimes, if I was lucky, Athena and Artemis would visit me, fellow unwanted daughters of Zeus. They were allowed to live life on their own, mingle with the gods and other immortals. They would awaken within me indecision. At times, when the beauty and peacefulness wasn’t enough, I hated being there, in that eternal frozen state, never moving. They would appease me for a couple of hours, picking flowers and telling me stories of our brothers that made me blush. Then they’d hurry off, wave goodbye, and I’d choke, unable to watch it. Was I the only one trapped here? The only one who would—could never leave?

Those nights I think Demeter could tell. My mask would slip, and seeing her distraught daughter she’d try to comfort me from some unknown ailment.

“Have those girls made you upset?” she’d whisper, sweeping my long hair back behind my neck and summoning my favorite flowers out of the ground to gently twist up my arms and into my lap. “Shall I make sure they don’t come back?” she’d hiss, her voice betraying her feelings for me, the flowers turning black and wilting just as quickly as they’d appeared.

“N-no!”

The stagnancy was what I would have to bear, and I’d feel ashamed being so entwined in this problem, knowing there could be far worse things to deal with…far worse things that I would deal with.

You see, there had been a gamble I hadn’t known about, a plan secreted away from me. It happened one day in the meadows. I probably should have expected something like it to happen; after all, my kind are famous for stealing ourselves husbands and brides.

I was picking flowers when it happened. The thrill of flower picking was a task that was quickly losing its appeal with each passing day. When I was little I was eager for the activity; my mother used to inform me that it was my solemn duty to pick as many flowers as I possibly could. I realized as I got older, and the temples became blanketed in bouquets, that it was simply a task set to keep me busy. And even as I comprehended this, still I marched myself out into the meadows and gathered petal after petal, bud after bud. Sometimes I would stand in the same place for hours picking, essentially, the same flower over and over again; I’d pluck it, then summon another from the same spot, pluck that one, then re-grow another, pluck that one, then re-grow another… It could become dreadfully boring.

I guess you could say I was becoming a little stir-crazy. Repeatedly picking a flower was one of my more normal games, actually; there was also, see-how-many-flowers-you-can-pick-while-holding-your-breath game, and the ten-second-flower-picking-sprint game, and the ever popular try-to-pick-the-flower-your-friend-is-going-to-pick-before-they-do-and-see-how-long-it-takes-until-they-say-something game.

It was one of those days, though, when even my most imaginative games wouldn’t do. I was sitting in the middle of a verdant meadow, curling long fluffy tufts of grass around my fingers and staring off into space, sighing with the breeze. The others would circle around me, telling stories and lounging with the flora. I’d try to smile and look up, nod in the right places and squeal with excitement; but I couldn’t concentrate. There was a mantra in my head, and with my entire body I itched to leap away. “—Got to get out…Got to get out…GOT TO GET OUT—”

I was always the willing subject, and while I had been that way my entire life, it was totally against my nature. Wasn’t I one of Olympus? Couldn’t I control the land and bewitch any mortal mind? I jumped to my feet, having convinced myself once again of my importance. But these moments, while coming often, passed quickly. My fellow maidens and nymphs smiled serenely up at me, they never seemed to think that anything I did was unusual or strange. Sometimes I wondered if they had a mind of their own.

“Where are we going, Kore?”

I smiled at them and laughed; laughter was one of the only languages that they really understood. In my mother’s world everything had to be happy, so they couldn’t comprehend sadness. Laughter settled them down and made them complacent. They laughed along with me.

“Stay here,” I smiled, waving them off. “I’m going to pick flowers so I can make a necklace.”

They gasped, clapping their hands together and stole excited glances. “Oh, Kore! Let us help!”

“No, stay here!” I forced a smile. “You’ll ruin my surprise.”

They giggled, falling into one another’s arms. “We love surprises!” they chorused.

I moved away and blew them kisses. When I thought I was far enough and they had stopped watching me, I ran. I ran as fast as I could, as far as I was allowed, to the farthest meadow I’d ever ventured to. Even as I stood there, far away from any other creature, I could still see endless meadows stretching out to the open sea. Enna was my home, the island I lived on; even if I ran as far as I could, I would never be able to go anywhere.

My eyes welled up, and, breathing in deeply, I clutched at my gown, wanting to scream and rage. I could feel my perfectly constructed mask cracking. At that point I didn’t think I could take it any more—didn’t think that my life was enough.

A tear rolled down my cheek; it fell to the ground and blossomed. I looked down; out of my sadness a flower had sprung. I blinked. Several more narcissus bloomed, their white petals contrasting with the green fields. I looked back up, amazed. There were narcissus as far as I could see, starting at my bare feet and leading me away. I knew every single plant and flower on Enna, but never before had I seen a narcissus. I didn’t know what it could mean; was my mother giving me another gift?

It was against every warning and lesson I was taught, but I decided to wander away with them. The faces of the narcissus kissed my feet as I stepped into their midst, following this brilliant white road to a place I’d never dared go before. Kore never broke the rules, never spoke out of turn, never wandered off on her own. Maybe I needed to be someone besides Kore.

A gust of wind blew, rattling the blooms. I remember looking up and noticing grey clouds gathering, blocking out the sun. In all my life on the island I had never seen rain or a day that wasn’t drenched in golden sunlight. I gasped, the temperature had suddenly dropped and the wind picked up again. My skirts whipped around my thighs, and my hair flew out about me. Heat lighting sizzled the air, thunder crackled the sky, and a growing roar was becoming louder. I was terrified, it sounded like screams in my ears.

I circled around, fearing my moment of freedom had caused something horrible to happen. In the distance I could hear steady pounding and a voice—someone laughing. All around me the flowers fell like dead men; shriveling in on themselves then turning to dust, swept away with a wind that stung my eyes and burned my throat. I started to run, horrified at what I saw; I had drifted farther than I thought. I was much too far for anyone to see my figure or hear my frantic cries.

A mistake—I looked back. Like some kind of nightmare, the ground had cracked open, dividing the plain into multiple fractured plates. Like shattered glass, the fault lines expanded outwards, racing against me.

He appeared, with the beauty of the gods and the eyes of the dead. He commanded a silver chariot drawn up out of the chasm by four giant, wild horses; they had mad rolling eyes and their labored breath left white puffs in the air. They were jet-black, inky as the moonless sky. Their muscles pulled and strained with every gallop as the whole monstrosity neared. He smiled with a kind of ferocity and called out to his beasts, urging them to go faster.

Momentarily stunned, I wondered how this vision had emerged and what exactly it meant to me. Realizing I had slowed, I shook myself out of my stupor and forged ahead, sprinting, plunging into the wind. Rocks dug into my feet and low grasses slashed my ankles; I tried to breathe, my throat searing.

I flew across those fields, lighter than the air; faster than I’d ever ran before. But even as my leg muscles contracted and pulsed, they couldn’t beat four horses.

I dove to the side, slipped off my feet and tried to roll out, I hoped that my change of course would give me a few seconds head start. But he reached out with one arm, leaning over the moonlight chariot. I screamed, his freezing touch burned my skin, his forearm pushed into my gut.

He hugged me to his side, his breath on the back of my neck, making goose bumps rise on my arms. He laughed again, quietly, in my ear. I screamed once more, hoped that my noise would retract him; I screamed so loud that the horses screamed back and the grass jumped up around the chariot wheels. But he just held me tighter, squeezing so hard it had hurt to inhale. I groaned in the back of my throat, kicked my feet and thrashed. With my hands I tried to break his hold on me, with my nails I tried to rake his skin from his bones. He lifted me off my feet, and sneering with anger, he crashed me back to his side, jarring me. I fought to get away, and I reached out to bludgeon, jabbed the heel of my palm upwards towards the attacker’s face and struck. He hissed, jerking as I pushed his head away—his grip loosened and I flung forward, breaking his hold on me, and threw myself off the chariot.

I fell and hit the ground hard, landing first with my palms and then on my face as my elbows gave out. It’s hard to describe that day to you, because even as I hand out every word to explain my story, it still doesn’t convey my pain at every noun and verb. I tried again to breathe, to breathe, to breathe—my life up until that point did nothing to prepare me for bruises and bloodied skin. I had at once forgotten my entrapment on that land and only wished for the safety that my mother offered. It had been so easy to scoff at my flowered prison and mourn the adventures I’d never have, but as I sat there, the only thing I was wishing for was anything but the unfamiliar.

I pushed myself to my knees, noticing my ripped dress and discarded belt, I spat blood out of my mouth and squinted from the pounding headache above my right eye. Already I could see the stranger turning back for me, he crushed flowers in his path and scattered blossoms of every color. Shaking, I hauled myself back to my feet, terrified and struggling to breathe.

“LEAVE ME ALONE!”

I stumbled back, squeezed my eyes shut and hurled my hands up in front of me. The ground trembled and shook, then sprouted out thick bark-like roots. They shivered, budding thousands of bright green leaves and branches that twisted together and formed a formidable wall.

I was naïve, I had never had to face an enemy before—never had to face a person who wished me harm. He stormed through it, the leaves curling and dying at his touch, disintegrating; pulling up to a heavy halt, the earth beneath his wheels was scorched and flung apart. The horses snorted, pawing the dirt and stomped the ground. I stepped back—my legs gave out underneath me. He reached out with one hand, his haunted eyes a flame.

“Come to me, Demeter’s Daughter.” He seemed smug, his voice low and raspy.

I turned to run once again, but before I could even get to my feet, his hand wrapped around my upper arm, so tight that I cried out.

“I tire of the hunt,” he growled, pulling me back into the chariot. I pounded on his chest, and even tried to bite his hand, but he had learned better this time and kept me close. The god wrapped his arm around my waist and spurred the horses forward.

There I was, the helpless goddess. If I was Artemis, goddess of the hunt, I could whistle and stop those horses in their tracks and strike him down with my arrows. If I was Athena, goddess of wisdom, I’d have Nike(3) at my right hand and my stare would stop him where he stood. If I was Demeter, my own mother goddess, I’d strike the land cold, freezing the chariot solid and killing the horses in their step. But I was only Kore, goddess of small things. I could make the grass grow and the fruit ripen, but I could not save myself.

“MOTHER!”

The chariot entered the dark chasm and closed behind us, leaving no sign anything had changed.

They say that no one noticed my absence for quite some time, not even the nymphs remembered my presence. It wasn’t until my mother came to get me that evening that people began to detect that something was amiss. My mother was furious; she cursed those girls and every word that would come out of their mouths(4); she scattered them to the winds and went to search for me herself. She scoured the Earth and made people talk in ways that only Olympians and distraught mothers could. But she couldn’t find me. I was nowhere on Earth…

Hades had dragged me down to hell. The god who ruled over the Underworld and whose touch meant death wanted me as a wife—the Goddess of Re-growth, the first living thing in Hades, as the Queen of the Underworld.

The first night I cried. His place was dark and cold. Shadows dressed the corners of every room and hallway, I tried to hide, and became lost in a maze of icy dungeons and chilly court yards. When he found me, I was shivering in a corner of a far off room, trying to shield myself to the cold seeping into my bones—terrified it would somehow change me—make me like him. He held me close and bandaged my feet and palms, kissed my cheek and laughed coldly as I struggled against him.

The second night I slapped him, and he hit me back, sneering in distaste. I had escaped his advisers and haunted lackeys and traveled deep into his country, trying to cross the three rivers of death and advance past the horrible three-headed guard dog. Hades had many traps and mazes to his kingdom. No one entered or left it easily, his grip was iron and he was possessive of his belongings. By then I could already feel his pull, the air sat heavy in my chest, and I could feel my gaze drawn back. But my skin itched for the sunlight. Still, I was unable to escape; the sight of the rivers sent me spinning, the repulsion made me physically sick. They may had been given the name ‘river’ but they mirrored nothing of their namesake, for they swelled and bulged and twisted like coiled knots, the color of the water was black, reflecting the whole sickly kingdom. And most importantly, there was no life, nothing could live in there, the only guardians were the twisted bent shapes of the hooded boatmen, ferrying across howling souls, reaching out of their ragged robes with skeleton hands to take the ferryman’s price. Gold and silver rattling in their palms and a skull’s morbid smile imprinted in my head.

On the third night I was bound in a wedding ritual. The three crone sisters of fate(5) that resided in the dark of Hades’ kingdom wound us together with sparkling gold string, tying me to his side. He placed a silver coronet on my head and presented to me a plate of food to eat, symbolizing our bounty together. I shook with rage at the slight of my mother’s power, as if this food of the dead could compare with Demeter’s crop, as if he didn’t know that I had tried unsuccessfully to grow, anything, since I was captured.

“You insult me!” I screamed, knocking the plate out of his hand, and tried to break out of the golden web, but being unable to, as it held tight.

Down in that cage I resolved that nothing would pass my lips, the food of the dead was a trick, an imitation. It was nothing in comparison to what I marveled at on the surface. But I was becoming worried, my fury since my kidnapping had grown with each passing night. I was becoming snappy, reserved, and cold. Me, the smiling, golden child of Demeter, was becoming cold. The longer I stayed, the more I resembled my husband.

At the end of the first week I came accustomed to the ways of the Underworld. The days never began there; Hades’ kingdom was passed in nights, the grey skies casting an eerie flicker on all the happenings. After our wedding, Hades had abandoned me to the company of shades and horrible creatures, and as much as I despised him, I felt unsure and nervous without his presence…almost…missed him.

After a while the sun god Helios who sees all things, told Demeter of a horrid tale. It involved Hades, Lord of the Dead making a pact with Zeus—the bastard child’s father—that granted the girl’s hand without the knowledge of the mother. After all, the mother had stolen the girl away from the other gods and their proposals; Apollo, Ares, and Hermes were all denied - what gave Hades a better chance? The Ruler of the Underworld coveted what he couldn’t have. The story continued—Hades leads the girl astray with blooming white petals, then kidnaps her and drags her down to the Underworld to be his Queen.

So angry was my mother after hearing this that she struck the world cold, she killed every plant that touched the Earth, the trees were barren and the flowers froze and died. Every river and lake was trapped in ice, and she cast the sun into hiding. The animals that survived fled, and blizzards terrorized the land. The people moaned and pleaded, they had no food and no shelter strong enough to keep them. If Demeter was to mourn, so would everyone else.

When Hades learned of her frenzy and saw the souls rushed into the dark, he laughed and held me tight, like the prize that he had won.

“Persephone(6), my Persephone,” he whispered to my ear, his voice raising the hair on the back of my neck. I turned away, he kissed my collarbone and grinned against my skin. I pondered the new name, and raised a hand to his cheek, amused at his affection for me. Of course he must have adored me; the first time he left his kingdom was to fetch me.

Demeter persisted for twelve months of days and twelve months of night. Finally, finally, Zeus gave in…

My husband came for me deep in the midnight gardens. They were a cheap deception, but still lured me with their haunted beauty. Those gardens were a curse, but my favorite place in his palace. They cultivated like a grove of skeleton trees and grew red-pink fruits. They mocked me, not being really alive but still producing; those trees were a ghostly image of what my mother had offered me and it physically pained me to sit there, trying still to make things grow for me, but being unable to tear myself away. I commanded Hades’ servants—my servants, to build me a throne under the pomegranate trees and threatened anyone who bothered me there.

I snarled at the interruption, but Hades pulled me to my feet and hugged me to his chest. He reached up into the twisted branches and pulling down a bright pomegranate, ripped it in half.

“Before you leave me, eat.” he offered, indifferent.

I stared, watched the juice run down his hands like blood. I had refused to eat or drink since I was dragged into Hades, he knew that, and he knew what would happen if I did eat. In those days I would drift through the Underworld watching him watch me, glaring at the dinner table as he took an extra helping just because I was there. I may have been married to him, but I wasn’t going to give him the satisfaction of seeing me fail. Hades wasn’t a good man, but I knew he loved me. He loved me in a way different than my mother and her warmth did. I knew I couldn’t stand going back and being Kore. I knew I couldn’t stay here and never live. I knew I couldn’t be at either place.

But in the end, I knew I wished for change, and had to receive it when it came; so I accepted the fruit of the dead, and one at a time ate six bejeweled seeds(7).

Hades smiled, his ivory skin reflecting in the dim candle light. He thought he had tricked me. My husband was cold and cruel, but so too was I.

I was Persephone, Goddess of the spring and fall, of life, of death, of rebirth and Queen of the Underworld. I could be both the Emerging One(8)—the flower in the summer, and the Iron Queen(9)—the curse on the lips of many.

I smiled back, my teeth stained by blood.


Foot Notes:
(1)-Greek for, literally, the maiden, girl.
(2)-A Greek myth were a nymph named Daphne was being chased by Apollo and prayed to the River god Peneus to help her, and he changed her into a laurel tree to escape capture.
(3)-The Goddess of victory and triumph who is often pictured sitting on Athena’s right shoulder.
(4)-In the myth Demeter turns them into Sirens, creatures with the head of a female and the body of a bird. They lived on an island (Sirenum scopuli; three small rocky islands) and with the irresistible charm of their song they lured mariners to their destruction on the rocks surrounding their island.
(5)-Three sisters: Klotho spins the thread of life, Lakhesis determines the length of the thread and Atropos cuts the thread when the proper time has come for death. They are called the Fates and reside in the Underworld, even though Hades has no power over them.
(6)-Means: “She who destroys the light.” Also known as Proserpine or Proserpina.
(7)-In the myth of Persephone and Hades, eating the food of the dead makes you remain in the Underworld, but since Persephone only eats six pomegranate seeds, she remains in the Underworld for six months and returns to her mother for six months. When she’s in the Underworld Demeter mourns and it’s winter, when she’s returned to her mother, it becomes summer.
(8)-Persephone is known by many names: the Emerging One, the goddess and bringer of spring is one of them.
(9)-When Persephone is in the Underworld people are so afraid of her that they don’t speak her name aloud, they only call her the Iron Queen, and use her name in curses.

Last edited by Persephone; 20-03-2010 at 12:16 PM.
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Old 26-06-2009, 10:25 AM
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Re: Pomegranate

Whoa.

Incredible descriptions, Em, and I like your twist on the legend. It never occurred to me that Persephone would choose to eat the pomegranate seeds to shake up the boring sameness of her daily routine. This is epic.

Nicely done!
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Last edited by Vorcla; 30-06-2009 at 12:47 PM.
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Old 30-06-2009, 01:27 PM
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Re: Pomegranate

Yay! Thats why I like Persephone so much, shes both good and evil, light and dark, MWAHAHA
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Old 30-06-2009, 01:49 PM
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Re: Pomegranate

MWAHAHA, indeed... ^_^
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Old 01-07-2009, 06:07 AM
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Re: Pomegranate

I could tell a lot went into this piece. I may be partial to this one in particular, because I love both first person narratives and all sorts of mythologies, but this was awesome! The only thing that turns me off about mythologies is how the characters seemed so estranged from reality, but you've managed to turn that around. I could actually feel like I was getting into their heads, and it was a very satisfying experience after failing to do so for many years now. If I had to critique something, I'd tell you to try and add some more detail to where Persephone actually resides inside the underworld. Amazing piece though... 9.5/10!
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Old 01-07-2009, 12:00 PM
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Re: Pomegranate

This IS my favorite thing you've written to date. I remember editing this one the first time...loved it then, love it now. ^_^ It's all the best things about retelling a myth...but with a modern twist at the end. That she actually takes control of her destiny is kind of nice, I liked the subtle change to the classic story. It's better than the original. You totally pwned some ancient greek storyteller. Doesn't that make you feel good? ^_^
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Old 01-07-2009, 12:18 PM
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Re: Pomegranate

WOW! Thank you so much for that review! I'm really glad you enjoyed it

I agree that it could use more details when she's in the underworld, unfortunatly I was originally writing this for a deadline. Maybe one day I'll go back and add more.
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Old 01-07-2009, 12:20 PM
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Re: Pomegranate

Aww, Tricia, you're making me blush. I'm glad you like it so much too. Hopefully in the future I can write something else you like as much.
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Old 01-07-2009, 01:08 PM
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Re: Pomegranate

I have no doubt, and I am waiting to be impressed. Hop to it! ^_^
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Old 01-07-2009, 02:14 PM
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Re: Pomegranate

Now I'm scared. SO MUCH EXPECTATIONS O.o
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Old 18-07-2009, 11:11 AM
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Thumbs up Re: Pomegranate

With a clear mind and now, this my fifth attempt at reading and commenting upon this tale, I make the following observations and suggestions…

1.I think the introduction following the poem, could be, could have been more graphically dramatic and active.

Perhaps something like…I am but mere maiden (physically describe Kore as she is one among so many off-springs of the ancient gods.) among thousands who serves to fulfill the needs and wants of the gods of Mount Olympus.

I am Kore (1), the one and only beloved daughter of Demeter, goddess of fertility and harvest. My father is Zeus. (*I admit that this is not as ‘dramatic’ as I was seeing it in my mind, still I think your introduction could have been more.).

2. Maybe make a comparison of Kore to Demeter’s most ‘cherished,’ most ‘beloved’ flower?

3. Was there specifically a particular Demeter’s floral/environmental creation that ‘enamored’ Kore so? You mention it so briefly, but I think a more specific identification should be illustrated.

4. And what are these ‘fields of flowers?’ Are they of a specific type of flower? What is their look? What is their smell?

5. Maybe give a specific example as to how the gods mistreat and or possibly ignore their ‘children?’ And possibly remind the reader(s) that not all the off-springs of the gods were fully ‘godly,’ but a mere repulsed combination of some, by some of human and god/goddess.

6. Why describe her locks, but not give a specific color?

7. And why not describe the physical characteristics of Demeter? And how she, or what she did (specifically) that made her the goddess of fertility and harvest?

8. Kore, daughter of goddess Demeter had no ‘means’ of searching out the world that laid before her? As a child of a goddess, could she not travel and do as ‘she’ pleased? *I find it hard to believe that a daughter or a son of a god and or daughter is limited merely by their ‘parent(s)’ to travel and venture into the world that surrounds them.

9. I think more descriptions should be given about the wood nymphs, mermaids and other flower maidens.

10. Who is ‘they,’ here ( I think I know, but I want you to tell me more specifically)- My mother was clever; they would guard me with their jewel-toned eyes (what type of jewels do you speak of?),

11. Maybe capitalize Pomegranate here- (…; the romantic dance of the Pomegranate trees.)?

12. Maybe describe this, these ‘prized possession(s)’ of the gods and why they would protect them so?

13. Maybe something like- It is a long and tedious life, being a (the only) daughter of Demeter; the sun rises and it sets, the flowers bloom and then they wilt, the birds(maybe say the breeds) chirp the nighthawks and owls hunt. I should be happy to simply be where I am, to be what I am-unfortunately, I am not. I cannot continue to be happy with what is.

*Obviously YOU have used contractions in your tale, continue to do so. I am not merely out of boredom.

14. Should this be a possessive- (…an ordinary that would turn any mortal’s* head-)?

15. Maybe something like- I’d inhale the wind (what kind), wondering where it’s been and what it’s done, hoping to sprout giant feathered (what kind) wings and follow it away. Regrettably it was never to be; the hand laced nymphs would grab by my stirring ankles and pull me back to earth.)?

16. And here say something more like- (They were allowed to roam the earth as they pleased. To mingle with the most common of humans and adventure with the other immortals. They were free-as long as they kept their distance from Zeus, remain a non-nuisance to the all mighty and powerful, Zeus.)?

17. Maybe say ‘here,’ here… (…I hated being here*, in this* eternal state of frozenness, never moving slightly forward, nor fully being pulled back.)?

18. Maybe give a specific example of what their brothers did that made Kore blush so?

19. Maybe describe the ‘fall’ or dissolve of this ‘mask’ worn by Kore when she spoke with Demeter about her visits with her long, long distant sisters?

20. Also, previously mentioned, Kore ‘needs’ her mother? How old is Kore that she ‘needs’ or her mother ‘needs’ here with her?

21. I am somewhat perplexed, you said that the Kore and her mother were more close to each other than ‘the other gods.’ Then why here, would you contradict here… (…, and seeing her daughter she’d try to comfort me from some unknown ailment.)? At least to me, it, this seems contradicting.

22. What were these ‘far worse things that Kore could deal with?’

23. Perhaps separate these series of actions and or ideas… (You see, there had been a gamble I hadn’t known about, a planned* secret concealed from me.) *And what was this 'gamble?'

It happened one day in the meadows. (What time and or timing of day was this?)).

24. Was there a particular flower or set of flowers that garnished these temples?

25. Was there a specific field of flowers that Kore traveled and selected her ‘buds and blooms’ for?

26. Maybe describe where Enna is located?

27. What type of gown had Kore clutched in her hand?

28. Had Kore ever experienced, seen ‘narcissus’ before? If not, then how would she be able to identify it?

29. What were these ‘lessons, these warnings’ that Kore was informed of that she was to avoid?

30. Maybe say something like… (Maybe I needed to be someone other than Kore, daughter of Demeter.)?

31. Can flowers grown on an island that experiences no rain, even though it is the dwelling of a goddess?

32. Maybe say something like… (Heated* lightening sizzled the air, thunder (what kind?) crackled the/through* the sky, a low growl was growing/emitting louder than before.)?

33. Maybe something like… (In the distance, I could hear a steady and an approaching pounding (what kind). It was followed by a callous and haughty voice-he was laughing. All around me the sprouted blooms, wilted and fell as dead humans do?

34. In her ‘protected state,’ had Kore ever seen or experienced ‘human death?’

35. Which was ‘seen’ first, the horses pulling the chariot or the rider within the charging chariot? (He appeared with the beauty of the gods and with the eyes of the dead.*)

36. I think more stronger or appropriate vocabulary could be executed when speaking about the ancient gods, for example- (I flew across the frenzied fields (of course you have described, but perhaps reiterate them again?) weightless/wispy as the air; swiftly/speedily than I’d ever ran before. No matter the ferocity of my contracting legs (which muscles specifically), they could not beat the ghastly four –legged, charging beasts that were coming.

*YOU described the horses previously, do so again as they make their approach.

37. Maybe something like… (I dove into the high* grassy embankment, hoping, if only for a brief moment, it would conceal me from him. As my heart pounded inside my thoughts/mind, my breath huffed out as a swelling wave, a split second of clarity pushed my body away from the grounded trail and I thought like a snake I would slither away from the immediate danger and give myself a head start in my attempt to flee.)?

38. In the day, mid-day Kore was approached by this stranger. Then suddenly she is grabbed by this ‘man’ by the moonlight? Why not describe the change of ‘lighting,’ shift in times as she is being abducted?

39. As he touched her, her skin burned. Which body part was burned, if he had grabbed her by the waistline then would not her gown and then possibly her skin would be burned?

40. Maybe something like… (He pulled me, smothered me against his wide muscular chest. His hot breath blew against my neck, erecting/evoking goose bumpls of my trembling arms.)? *I think this entire paragraph could be rewritten to read less haughty.

41. When one is ‘thrown’ from a moving vehicle of sorts, do they merely ‘fall’ or does the body ‘violently crash, smash’ against the ground below?

42. Maybe something like… (It had been so easy now to scoff at my flowered prison, and mourn the adventures that I never had, but as I struggled to steady myself on my feet, I wished for familiar.)?

43. Where you mention that ‘he crushed the flowers in his path,’ this man did not literally crush the flowers, it was his chariot. You need to make the distinction. And you have done this before.

44. Maybe say that ‘she, I pounded against* his chest, and attempted to bite his muscular, calloused hand (which one?),

45. Were the bows of Artemis poisoned? If so then you could describe further that with the striking of her fatal arrows that this man, this foul fiend would fall and twitch to his death.

46. What is the significance of Nike and why would a simple ‘stare’ be so fatal?

47. Maybe something like… If I were Demeter herself, I would blow my lips to the wind and freeze the surrounding(s) around me. The chariot, its sizzling/fuming wheels would freeze in their place and crack at my slightest whisper. The horses too would fall. But I am merely the goddess Kore, the creator of small things. The grass grows at my feet, the fruit ripens at my smiling will, all of this means/meant nothing as I stood here helpless in the clutches of this man*.

48. Where had the ‘dark chasm’ come from?

49. I think ‘that’ should be here… (…, leaving no trace/evidence* that* anything had changed.).

50. I think… (They said* that no one had* detected my absence for some time. The nymphs could not remember my presence.)?

51. I think if you are going to surround Kore with mystical beings, then do not use the term ‘people,’ but something like this… (It wasn’t until my mother had come for me to dine with her for our nightly meal, that the wood/ forest nymphs, the water-living mermaids and the other flower maidens had noticed that was amiss. Demeter was infuriated, she cursed the winged-sprites and threw them against the burning trees. There were no words that they could express that would bring Demeter any comfort. Their ashes were scattered into/against the winds. The mermaids were made stone and crashed heavily to the bottom of the sea(s). As Demeter made her way to find her daughter, the flower maidens were made into a bubbling sludge under her running feet.).

*YOU should have given more action and imagery concerning this ‘outrage’ against the disappearance of Kore.

52. Also, YOU could give more concerning her interrogation of the humans and other gods in the search of her daughter.

53. At what point had Hades introduced himself to Kore?

54. Is ‘hell’ the same as the ‘underworld?’ And I know there is a specific name for this place, but at this moment, I cannot remember it.

There is a GREAT, GREAT deal of potential for this story. I think even it could have become a series, but you did not choose this route. So for what you have, I say ‘Fascinating, Facinating tale retold.’ The imagery, the action, the execution of further dialogue-could have been more Extensive.
And yes, there was much, much more I could have suggested, but thought it unnecessary for I feel that you are not going to change some things, if anything at all.

And what was the significance of the Pomegranate, I thought there was not much mentioned about it.
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Old 18-07-2009, 02:17 PM
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Re: Pomegranate

OH MY. lol, ok, here I go:

#7: I'm assuming here the audience knows of Greek mythology--no one really knows why Zeus's powers is with lightning bolts, or Apollo's with the sun, or Artemis with the hunt or moon, thererfore, i wouldn't really know what picked Dementer out for the harvest...

#8: once again, I assume people have read the tale of Persephone, in the story shes basically trapped by her mothers side and never let out of her sight, check it out for yourself if you like

#10: jewel tones are like emerald, topaz, magenta, teal....sorta light pastels only darker and more vibrant

#11: Pomegranate isn't a proper name

#14: could be, I'll look into it

#20: Kore has spent her whole life with her mother, she knows no other way of life without her, she hasn't learned independence or how to provide for herself--shes spoiled you could say

#21: I don't see the contradiction, no mother and child will be 100% truthful with each other. Considering the other gods reputations too, they are indeed not 'family people'

#23: refers to the deal between hades and zeus

#26: ...well, around Greece...

#28: I guess this is just assuming that between when this happened to her, and now (her retelling her story) she learned what it was.

#31: Yeah, in my goddess fantasy world, they can. lol. after all, Dementer can control the summer and winter

#34: nope, i guess she wouldn't have. Of course she would have heard of it, out of all the stories related to her from her cousins and sisters and brothers

#43: I don't think I really need to do that, he is in the chariot, so you should assume his path is the chariot rolling by

#46: Greek mythology, perphaps I assume too much

#48: from Hades coming out of hell

#51: good point, I'll look into it

#53: Kore would know of Hades, and I'm not giving a total blow-by-blow acount, so he would have in some time done it

#54: they call it alot of different names: underworld, hades, hell, etc, they all basically mean the same thing

I saw the majority of these as personal perferences, and not really anything that I need to change. I did put in a lot of greek mythology, so I assume the reader has some general knowledge of it. Also, while you are right that I could have put some more descriptions in places, I can't possibly describe every thing so everyone's happy, also this is MEANT to be a short story, I wanted to keep to the 'message' (I guess you would call it) of the piece, and not go off in other directions. Although I am considering expanding the underworld part.

Pomegranate is significant because it was, I suppose, the catalysis to Kore changing herself and deciding her own destiny. In the end, that was what the story was about, how Persephone came about.

And I am really pretty embarrassed(maybe you can say) you would take so much time to look over my piece. lol, there must be better things to read out there. thank you so much for giving me such a review.

Last edited by Persephone; 18-07-2009 at 02:24 PM.
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Old 31-08-2009, 02:11 PM
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Re: Pomegranate

Quote:
Mermaids would call to me from the river, their tails flashing against the reflected sunlight as they sang to me and caressed my hands with their long fingers, kissing my palms.
pretty.

Quote:
Fellow flower maidens would laugh and giggle. We’d take naps in beds of orchids, and they’d braid daffodils and hyacinths into my hair.
so pretty.

Quote:
I struggled with the ordinary—ha! an ordinary that would turn any mortal head— grinned even as my jaw began to ache, my chest hurt from forced laughter.
i can't understand this part because it reads so awkward to me. actually i understand what you're saying, just had to read several time, separate the sentences and words to make them make sense.

Quote:
Demeter persisted for twelve months of days and twelve months of night. Finally, finally, Zeus gave in…
you lost me here. i dont know whats going on. zeus gave into what? and why did demeter persisted for twelve months and twelve month night?


okay i'm done. ohhh this is wonderful pers!! i'm so glad i read it. i sort of lost myself in the story and couldn't wait to turn the page! beautiful imagery too!. I know of persephone but i know her as hades and her to be soooo in love but her mom gets in between them. she spends 6 months with her mom and the other 6 months with hades. because thats what her mom's deal. apparently thats why half is cold...half is warm or whatever. you should read books by sherrilyn kenyon. its all about the greek gods and vamps.

the only thing ill advice you on is that i think sometimes you forget people who are reading the story to not know about the story of persephone or the greek gods. so you might need to explain further. thats it.

excellent job!
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Old 26-10-2009, 09:12 AM
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Re: Pomegranate

This is an amazingly rich tale. The descriptions are vivid and the growth/descent of "the smiling, golden child of Demeter into the Queen of the Underworld in the last lines is chillng.

Epic.

Loved the last few lines:
Quote:
I was Persephone, Goddess of the spring and fall, of life, of death, of rebirth and Queen of the Underworld. I could be both the Emerging One(8)—the flower in the summer, and the Iron Queen(9)—the curse on the lips of many.

I smiled back, my teeth stained by blood.
One question:
Quote:
You insult me!” I screamed, knocking the plate out of his hand, and tried to break out the golden web, but being unable to, as it held tight.
Is that "break out of the golden web"? or "break the golden web"? It seems oddly worded the way it is.

Last edited by Kalinda; 26-10-2009 at 09:13 AM.
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Old 26-10-2009, 02:01 PM
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Re: Pomegranate

Thanks Kalinda, I'll go back and look it over when I'm not sleep-typing. lol

I'm glad you took the time to read it all, and enjoyed it
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Old 15-11-2009, 11:49 AM
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Re: Pomegranate

Yeah, that was pretty damned sweet. I have never really been much into the mythology thing, but this was a pleasure to read. There are interesting bits of information in there that I had no idea about...well, most of it if I'm to be honest.

It's clear, however, that it is a passion of yours. Every now and then a story comes along that has the perfect voice. This is one of those. The narration is so comfortable that I couldn't help but be pulled into the story, absorbed by it and carried away, just like Kore.

What an incredible job you have done with this story, Persephone. It's beautifully written and perfectly executed. Awesome!
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Old 20-03-2010, 12:16 PM
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Congrats on the '55' win, Em! Nice going! Well deserved... - Vorcla For doing an excellent job under less than ideal circumstances... - Dylan Vorcla Thanks for the reviews beb! Yes its a lipstick, finally I can give this 2 someone who will appreciate it! Yay! - Dark-huntress Thanks, Persephone! - Kalinda Hey, Em - how the heck are you? - Vorcla 
Re: Pomegranate

Thanks Jim! I love history, and I rope mythology into the same boat
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