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Re: Saoirse Rogha
You have an excellent start here! You have introduced some interesting characters and situations that draw the reader in. And I'm impressed with your "voice."
I can only assume there is more to this. It's too short to be a single story (and there's no "arc"), but it's a fine beginning to a compelling story. Nicely done and... keep going.
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"We are the music makers, and we are the dreamers of dreams." ~ Arthur William Edgar O'Shaughnessy "Be bold and mighty forces will come to your aid." ~ Basil King |
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Re: Saoirse Rogha
I echo what Bluejay said. Very promising beginning. You have a clean style and a clear voice. Please keep writing and posting here. We need more people to write prose.
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...a sucker for beautiful, soulful eyes
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Re: Saoirse Rogha
I applaud the title, it was most catching to these reading eyes.
Might I suggest you rewrite your synopsis (for me) it was too long and abrupt (vague). In the moment of ‘grief,’ would one say...Your bother’s dead, your brother’s dead.’ I would think something like...Your brother’s dead, he’s dead. (Just something a bit more dramatic.) The first paragraph (for me) is too simple. Where is the dramatics of emotion? Where’s the hysteria of a mourning, in shock mother? I think also that your actions are rushed. And how old is this sister that she would go off and search for her brother’s murderer? And mom in her moment of frenzy...she did nothing to stop her daughter’s departure? I think some of your sentences/ideas are too long. You should consider shortening them. Also consider combining a few actions into one, but more dramatically. You are saying ‘years’ have passed, but where is the illustration of the time past? Again, I think the ‘actions’ are rushed. Shouldn’t the title or label of Virgin Queen be capitalized? So before your return to Kilkenny Castle, where was your character? Consider centering the wavy lines that you are using to separate actions/scenes. Where was your character before she awoke in the castle? You are jumping around too much. Where your character has just awaken on a horse...why did you show her nearly falling off the beast as she is suddenly awake? You are lacking ‘action,’ where it is most required to your story. I too have made this error, but you are using too many ‘I’s when it is not needed. Your character was that close to the Englishman the she could detect the violet fleck in his eyes? When did this happen? You are too ‘jumpy!’ Why would she ‘scoff at an Englishman?’ Was it her lower status that made her so surprised that he would refer to her as ‘M’lady?’ RUSHED! RUSHED! RUSHED! For me this is exactly (for me) what your tale is. Not to say of course that this writing has no potential, ‘cause it does. I give a rating of 1/5.
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Right, I'll keep to the present but just take a glance at the past. Damn, is this poetry?
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Re: Saoirse Rogha
Totemo ii desu nee. I think this story is really a good start. Perhaps the dream sequence could be slightly longer. But other than that it's really nice and interesting. <3
And I honestly don't see the things the RENA HANDS is talking about. It is not rushed and it is just the beginning. And abrupt and too long? How does that work? That makes no sense at all. But keep it up my lovely lady! |
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Re: Saoirse Rogha
First off, nice to read you. Glad to see a new face posting some stories. This caught my eye. What can I say I'm sucker for a good romance and I like history, and here you've combined the two.
Okay, I liked this. There is nothing fundamentally wrong with your writing, but it doesn't carry the reader like I'm sure you're hoping it does. Here is what I think happened. YOU see it playing out beautifully in your head. However, we are getting bits and pieces, and our film is a bit hazy. We are missing some info that would do two things. Hook us as the reader, and allow us to sympathize with the characters. Now, before I start, remember this is the opinion of one person, who, by no means, is a professional or expert in writing. I'll give you some advice from the little experience I have as a writer and some advice as a reader of this story. I read the first paragraph and went... who are these characters, ages, what do they look like, and what are their personalities? Now you don't have to answer all of those questions, especially in the first paragraph or even the second, but you have eight characters: Main, two sisters, one brother (dead), a mother and in the second paragraph a father and a Virgin Queen and a man to whom she serves. Here is what I know about the seven other than the main character. Aoibhe is gone. Quinn, blue-eyed, good spirited brother, with curly brown hair is dead. The other sister is named Aisling, who is ill. Her mother is ill. Her father, whom I assume is Earl of Desmond, is presumably dead. The Virgin did it.(that's not a sentence you hear a lot) Her master is Earl of Ormonde who lives in a castle. I am getting at that you know the background of these people. You know what they are like and so you feel for them. We as readers don't know anything about them… we can't sympathize with people we don't understand. Cut out any characters at the start of this story that don't have to do with this chapter. You can simply say she hasn't seen her family since her brother was murdered. (Which you do in the second paragraph.) This would suffice to leave the reader wanting to know what happened to her family without going into a great deal of detail that doesn't have any impact on the story yet. Then as her family members, or her family history become important, you can work in these characters and revisit the past, and give details about them. Another thing I had trouble with is the time line of this story. It seems to start at in her past, skip forward, skip backwards and then skip to the present, without any indication or warning. When you do a time change, you need to make it apparent. A little setup goes a long ways. Something like: "Her mind wonders back to her childhood memories. There were good times, but the memory forever etched in her mind is that fateful day that shattered her world. It started with her mother's scream." Then you put in a break: ---- or #### and start with the scream. This brings me to another suggestion; make the first paragraph, your third paragraph. If you are like me, you wanted to start with a bang, in the middle of some drama and suspense to hook the reader. However, like I said, I found it a little confusing because you were jumping around in time. She was with her family, then she wasn't, then she was, but really wasn't. Start it with this paragraph: It had been two years since I had last seen my family, two years since my younger brother… Then, I would suggest to strength the wording within your writing. There came a loud shriek as I ran outside in a panic. My mother rushed towards me and wrapped her arms around me sobbing and wailing. Need to make it more dramatic and agonizing. “My mother’s unearthly shriek was like a banshee’s wail at the licking flames of the Devil’s nine tails, and it cut me to the bone. Outside I sprinted, thinking to find her dying at the hands of some horrible monstrosity. Instead I found her at the feet of a family friend, as he tried to hold her up from legs that would no longer support her. He finally lowered her to the ground as she wailed. When I reached her, she clung to me screaming…” Then its little things like cutting out detail we don’t need to know about yet: It was a sorrowful time, with mother and Aisling being ill, Aoibhe still missing, and the death of the Earl of Desmond. He was fighting for religious freedom for Catholics, which my family and I were. Three years ago, he started his second rebellion for our freedom, and just recently he was found and beheaded at the request of the virgin queen. No one believes that. Especially since she was very close to my master, the Earl of Ormonde. And that was where I was headed. Back to Kilkenny Castle, back to servitude to a man that I could never truly respect because of his beliefs and associations. You are throwing out all these little facts about characters that, at this point, aren’t important. Make sure that when you introduce a new character that he/she is relevant to the immediate the story, and also that you are giving give enough detail to make them a person in the readers mind. Here is an example of this rewritten, this is just a suggestion, if you don’t want to change any of it, then don’t: As I started my journey back to the castle, I thought back to my childhood. I had been blessed with a mother and father, who had loved me, a younger brother and twin sisters, who I had adored, and even though my older sister and I had never been able to stand each other, I had still loved her. My first horrible memory came at the age of 9 when my father had died. I had idolized my father; he had been like a god to my young mind. I remembered him always being happy around us children. But that was so long my memories of him have faded, still I clung the memory of his hair, the color of freshly tilled earth, and his eyes as blue as the ocean that had always crinkled at the corners in a smile whenever he had seen my siblings and me. My next horrible memory was far worse. It was a memory forever etched in my mind. That fateful day shattered my world, and it started with my mother's scream." My mother’s unearthly shriek was like a banshee’s wail at the licking flames of the Devil’s nine tails, and it cut me to the bone. Outside I sprinted, thinking to find her dying at the hands of some horrible monstrosity. Instead I found her at the feet of a family friend, as he tried to hold her up from legs that would no longer support her. He finally lowered her to the ground as she wailed. When I reached her, she clung to me screaming, “Your brother’s dead, your brother’s dead.” In that moment my world came crashing down around me. I held my sobbing mother, but I could not cry. I was in too much shock. I looked at my younger twin sisters; Aisling ran toward us crying, but Aoibhe simply watched from the doorway, a ghostly stare on her small face. Finally, she walked back inside; how I wish not that I had gone after her then. That night I was sitting out on the footsteps of our house, still without a tear shed. I was trying to process it, to feel the sorrow I knew I should, but all I felt was emptiness. Aoibhe came out and sat down beside me. There was a bond between us, and it allowed us tell each other things that we couldn’t tell anyone else. That night she sat there looking out into the stars of the night and told me she was leaving. I was shocked, but in my numbed state I didn’t say anything. I couldn’t think of anything to say. Instead I just sat there, as she asked me to tell the rest that she had gone. Then, she stood up and walked back into the house, gathered her things and left. I didn’t want to lose her too, but there was little I could do to stop her. She had made up her mind, and I wasn’t going to change it. At the time, I didn’t know what little Aoibhe, at the age of ??, was planning. I felt tears come to my eyes as I remembered the father that I missed and mourned my brother whose life was cut short by some Protestant bastard. As I continued on my horse, my lord’s castle, it seemed that the three days ride would never end, and that I would be left alone with my memories for all of eternity. This is a good story, and I enjoyed it. Make it more, iron out the rough spots, add in some gritty description and really pull the reader in. Good Luck, thanks for the read.
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"All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.." - William Shakespeare |
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Re: Saoirse Rogha
An enjoyable read! I don't usually read anything from the Romance section but I was drawn into this one somehow. You have good pacing in this. Your MC (Main Character) is a likable sort who's lived through some tragedy and all that gets me wanting to see good things happen to her. It's a good thing to get a reader feeling that way.
I enjoy your descriptions of the people. I can picture them clearly in my mind. You focus in on what their eyes look like and personally, I like that. I would suggest that when Saoirse first meets Lord William on horseback, build up her dislike of the English (and thus, him) a little more. Make sure that conflict is firmly cemented in the reader's mind. You actually do this a bit towards the end of this part. I think it needs a touch more. Building a strong conflict early on will make it unlikely/impossible that they will ever become lovers. That way, when they do, the romance will have the feel of love 'overcoming all'. Just as Razor says, anything written in a critique is only an opinion based upon that reader's personal tastes and experience. Don't feel you are required to change anything and never take any negative critiques too hard. Some critiques are highly informative, and Razor has given you a shining example of a quality critique. He has some good ideas that are worth thinking about. Thanks so much for sharing, and definitely keep going! You've got a great start.
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Writer of silly stories Last edited by ea_blue; 22-10-2008 at 12:42 PM. Reason: Got a name wrong |
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Re: Saoirse Rogha
Thanks for all of your comments everyone. I am really grateful for your constructive comments and I will really take everything into consideration. There were some really great ideas that I didn't think about and that would make my story so much better. Thanks!!!
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