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What about…My legs are moist they have been rubbing against the dew covered ground.?
What about…I’d be tortured for information; names of comrades, their location, radio codes/frequencies, and for anything else they wanted to know at the (this?) time.? What about…This is experience was no game unlike the ones we used to play when were ten. (Are you going to mention who the ‘we’ are?) Maybe…and I executed each of my missions with (fierce brutality and ice cold efficiency.)? Possibly…most of the Resistance members were seventeen or close to the similar age.? Maybe…Anyone old enough to fight were recruited by the Vichy Army; a combination of French and German troops, or they were killed/executed to prevent their involvement with the Vichy.? Maybe make the reason for joining a completely separate line? Maybe…The Milice or the ‘French Secret Police’ were just like the German Gestapo, but much worse. As a punishement for my father’s defiance, the Milice vandalized our home; breaking anything in sight, looting priceless heirlooms finally they just burned our home. (Or something similar.) Maybe…It’s only me and my brother now.? Maybe where you are giving his name, quotations? At the camp everyone called me ‘Shadow.’ I have a habit of disappearing and reappearing without their notice. They whispered ‘Black Magic’ as they pointed to my previous position with a dumbfounded look upon their faces.? Possibly…I was close enough to grab the soldier by his head covering his mouth with my hand then sliding the blade against his neck.? (Or something similar.) Some other words for ‘traitor,’ conspirator, collaborator, turncoat, defector. Using traitor as frequently as you do gets boring (at least for me.) I think your story is good, but it has the potential to be better. The imagery; actions, including more dialogue would give more to this tale you have posted here. Again, what you have originally is good. Oh, before I forget and I did actually, a rating of 3/5!
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Right, I'll keep to the present but just take a glance at the past. Damn, is this poetry?
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Re: A Game of Hide and Seek
How's this?
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Re: A Game of Hide and Seek
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There were also some tense switches that popped out at me, but besides that I really liked it, it had me on the edge of my seat. I don't know if it was dark so much as action though.
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It's amazing how sweet shit can smell For a while I wore some as cologne And many a woman I did woo Until one day a man said to me He said, "You smell of shit" And it was true. |
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Re: A Game of Hide and Seek
Okay - from a mechanical standpoint, as was previously mentioned, I'd watch the tense changes. Also, sentence variety. Try to mix it up a little. There were a lot of short, clipped sentences BUT - they worked in the context of the story, which was a terse action yarn.
Now, the story itself - very suspenseful and tension-filled, kept the reader on the edge of the seat. I liked the back story; you filled it in nicely. Very good effort. The mechanical stuff will come with practice, so keep writing!
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...a sucker for beautiful, soulful eyes
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Re: A Game of Hide and Seek
Define tense changes. My blondness is kicking in on me and I am left blank when you're saying that. I thought it was dark since it was in the dark but I see what you're saying. Newb mistake.
Thanks so much for the comments though. Last edited by timtornado3721; 04-09-2008 at 03:22 PM. |
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Re: A Game of Hide and Seek
a tense change is when the narration switches from speaking in the past/present tense to another tense. Like Saying I move one paragraph and I moved the next, thats not as bad as switching inside one paragraph which I noticed at least once.
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It's amazing how sweet shit can smell For a while I wore some as cologne And many a woman I did woo Until one day a man said to me He said, "You smell of shit" And it was true. |
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Re: A Game of Hide and Seek
Alrght, got it. Thanks again.
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Re: A Game of Hide and Seek
A mistake here made has been a fault of my own too and that is using ‘I,’ a great deal. I understand that you, the first person is telling the story, but there’s and not completely understood by myself, there’s a way to write this without so many ‘I’s.
Also, you still have long sentences. I would shorten them for two reasons; the first it gives the eyes less of a strain. The second reason, it just gives a variety of a read to the reader. Is your verb tense correct, it seems to me that you are going from present to past and or the reversal? Is there just one radio code or more? I ask this because you state there are ‘frequencies,’ so I think the ‘number’ doesn’t match. There are also (comrades and camp locations.) What about adding or rewriting to…Anyone who didn’t join the Vichy, there were slaughtered to prevent this…resistance! (Or just something more stronger.) This is too much ‘blood,’ I was on a personal quest for blood, the blood spilt the blood of my family and friends. Maybe…I was out for blood; to murder those who took/had taken the lives of my family and friends. (I’m never certain about verbs either so consult an editor.) What about…The Milice they had called/labeled us ‘Terrorists.’ But we, the defiant Maquis were men and women who wanted their lives back. (Or just something more stronger.) Can one really ‘assume’ that because one are in the same unit/group that they are friends? What I mean is the following…I look around to see if any of his cohorts/accomplices/collaborators were nearby. Maybe something like…From my belt I draw from its hand sewn sheath, my knife. (And what kind of knife is it?) What about something like…‘Works every time,’ I’d whisper to myself with a grin watching their faces contort with confusion. Maybe…I wipe if off the sleeve of his uniform as I drop him silently to the ground. How many targets do you have? Wouldn’t they all just be ‘casualties’ in the war? So maybe…I move on to the next poor bastard that stands in my way. OR…I move on to my main target/objective. (And who or what was the ranking of the officer that was to be eliminated?) OR Maybe…I move on to my objective the small tavern where its occupants had been the Vichy officers. Traitorous Frenchmen who conspired with the Nazis. I think more of your story could be rewritten. You could add more stronger execution of actions and emotions. I think in this situation you could show more confliction of an ‘assassin.’ Your main character, the ‘assassin’ feels no emotions, hesitations what so ever of his actions? You are not just showing the blatant war of human beings, but I think too of the human conscious.
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Right, I'll keep to the present but just take a glance at the past. Damn, is this poetry?
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Re: A Game of Hide and Seek
Well Tim, I think that this is a very good piece, but it could use a little work. I like how you wrote it from an assassin's pov. . . Though I didn't understand most of the technical words I was able to work past them because your story kept me on the edge of my seat. Ug! Sorry I just feel off my seat! 4/5!
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A word is not a crystal, transparent and unchanged, it is the skin of a living thought and may vary greatly in color and content according to the circumstances and the time in which it is used. ~Justice Oliver W. Holmes |
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Re: A Game of Hide and Seek
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I used the past tense, present tense switching to back fill the history and explain what my motives were. I've always believed that "without a reason why, what you're doing is pointless." So I don't know if you want me to break those paragraphs up or just leave them out altogether because I had thought that if I broke off a paragraph to do the backfill the reader would go "wait, what was I just reading?" So I combined the past and present into one paragraph and let the verb tense indicate past, present, future. I thought the rifles were dead give away for their intentions but I guess I could try to clarify that. I'm trying to get the style where I can show the strength and weakness of the human heart. I'm trying to show a different side to some of the more standard sterotype, like a villian becomes the hero or an ally becomes an enemy through a plot twist, etc. Got any advice on what elements I should try to use to get better? I'll write more when I have the time. Last edited by timtornado3721; 12-09-2008 at 08:19 AM. |
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Re: A Game of Hide and Seek
Ok, so tense has already been hammered in to you, and I won't touch on it, but I'd like to reitirate that the story goes too well for the hero. One recommendation I have is to make the gunshot have more of an effect on the hero. Describe his pain as he runs, etc. It's ok to show some weakness in your characters and have bad things happen to them. Otherwise it's a great story with really thick description.
The only other thought I had for you is to restate another of my previous advice. I suggest either making the hero more human, or more monsterous. I think the character is a little... unbelievable. That shouldn't take too much to fix, though. Again, this is a great start, man. Can't wait to see more of it. |
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It is a horrible, horrible situation when I can point out flaws, but not explain them more clearly. For the too many (I)s you will definitely need to consult an editor.
You will need to consult an editor about the ‘switching, time jumping’ within your write. I am 100% certain that others know more about that than I. What reference or particular statement did I make about the ‘rifles?’ I have no clues what so ever to advance the illustration the strength/heroicness of your character. I suggest seeing again to ask a professional editor on such matters. I do apologies for not being more helpful, but at least we know there are others more qualified than I too assist you.
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Right, I'll keep to the present but just take a glance at the past. Damn, is this poetry?
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Re: A Game of Hide and Seek
No problem, we're all human and sometimes we forget to include some things.
You had said something along the lines of how do you know that the French and German soldiers were from the same unit I think. |